Wednesday, April 29, 2009

It is always more fun to blog about your thesis than to actually write it (quotes of the day)...

Last week I ordered several books and articles through inter-library loan. You know the old tracking-down-an-original-source-to-make-it-look-like-you-found-it-even-though-you-really-found-it-in-an-already-overused-secondary-source trick? Anyway, I picked up my books last night. I was looking for one quote in particular in a book by French composer and conductor Manuel Rosenthal titled, Satie, Ravel, Poulenc. The book is about 2 inches by 3 inches small. You gotta love the French...





Rosenthal was one of only a few pupils of Ravel. The little book contains several brief anecdotes about Satie, Ravel, and Poulenc. Since it doesn't take long to read a 3-inch tall book, I managed to get through it last night. Here are a few of my favorite parts:

"The French think life is interesting. That is why they have created a cuisine, which is a pretext for enjoying ilfe and for being together around a table. As long as you are enjoying the food, you remain at table exchanging ideas and discussing your feelings. French music starts from this same circumstance." ~ Rosenthal

"Like a French garden, French music has to be clear, precise and delicate. There are no lies in Satie's music." ~ Rosenthal

"You know, I think it's very difficult for an artist to marry, because you never know how much harm you do to your companion. Perhaps it's too selfish to marry - you never know how wicked you will be, unwittingly." ~ Maurice Ravel in conversation with Rosenthal

Sunday, April 26, 2009

Une chanson pour vous...

Confession: I'm not really a fan of much (quote-unquote) world music. As a genre, "world music" is sorely underrepresented in my music library. I feel it is something I should appreciate, like bebop or Guinness or nineteenth-century Italian opera, but I just have never developed a taste for it. However, I am recently very obsessed with this track from Amadou & Mariam's new album, Welcome to Mali. This track is called Sabali, a word that Mariam describes on their website as meaning "...la patience qui est synonyme de tolérance de l’homme envers la femme et surtout de la femme envers l’homme...." (Rough translation: "the patience that is synonymous for the tolerance a man shows for the woman and especially that the woman shows for a man.") Ha! I'll say. It really is mostly just tolerance, isn't it? Sans ce soucier, la chanson est très, très bon. Écoutez!



Actually, the whole album is pretty great. Including (somewhat ironically) the track, Ce N'est Pas Bon. Listen to more here. I love Mariam's voice. And I am choosing to forgive them for going on tour with Coldplay this summer. We all have to make sacrifices for our art, you know.

Friday, April 24, 2009

So many questions and only one candelabrum...

Have you ever considered producing a Broadway show about the life and music of Liberace? "Who hasn't?" you ask (and rightly so). Well, unfortunately, someone has beat you and me and everyone else to the punch. You can read the announcement here. Which brings up a few questions. Namely, why? No, really, why? Wouldn't watching that show be just as painful as watching Liberace actually perform? And finally, when and where can I get tickets!?!?



"You wanna do it again don't ya?"

Wednesday, April 22, 2009

Piano Teacher Diaries (quote of the day)...

Student (age 7): "Miss Katie, guess what!? I practiced!! And I'm not even lying this time!"

Same student a little later: "Did you know today was Earth Day?"
Me: "Yes, I did. Did you do anything special to celebrate at school?"
Student: "No! It was awful. They made us pick up trash off the ground!! It was disgusting. I picked up gum that was already chewed up. And then we all had to wash our hands again. I'm exhausted."

Thursday, April 16, 2009

Red State Diaries. Or, Don't Mess With Sore Losers...

1. Let me get this right, you're angry over the American Recovery and Reinvestment Act which uses tax payer dollars to fund PUBLIC projects with the hope of boosting the economy and creating jobs. I'm confused because if memory serves, you were not angry when your homeboy, George (and company) bailed out private banks (TARP) with tax payer money and, oh yeah, they didn't track the money at all...

2. You're also really upset about the budget, aren't you? Do you mean the budget that includes spending on Iraq? Remember how George didn't ever include defense spending for Iraq in the budget?? Remember that? So, you'd be okay with this year's budget if it was just a little less, um, what's the word, transparent? honest?

3. You're throwing a tea party?? Like a "no-taxation-without-representation" tea party?? Really? Did you miss the part about how in November, we democratically elected our government officials? In fact, if I'm not mistaken, people in Texas voted in record numbers. Weird. Seems like we're taxed with representation this time, kids. I must be missing something...

Thursday, April 9, 2009

Good old Rockytop (two more for the road)...

"Once two strangers climbed ol' Rockytop, lookin' for a moonshine still. Strangers ain't come down from Rockytop, reckon they never will..."



"I've had years of cooped up city life, trapped like a dog in a pen, alls I know is it's a pity life, can't be simple again..."

Wednesday, April 8, 2009

A slice of rural American pie...

Thanks to facebook and status updates from high school acquaintances, I happened upon this week's edition of my home town's local newspaper. Goldmine! I spent a considerable amount of time tonight reading about a fire in an old municipal building downtown that brought "hundreds of people" into the streets (the news story that was the genesis of my initial inquiry) and catching up on small town politics (um, can we say drama?!). I also came across the video below. The musical excerpt at the beginning of the clip - a rather fabulous bluesy/gospel keyboard introduction to a hymn played by an off-camera musician - is of some ethnomusicological interest. On a more personal level, it brought back memories of my piano lessons as a kid in which one lesson a month was spent learning how to embellish hymns (it worked, btw, i can embellish a hymn like you wouldn't believe).



*Note the confederate flag in the background of the pictures at the end of the video. You just can't make this stuff up.

fyi, here is another post about Erwin with pics

Monday, April 6, 2009

March Madness (in April)...

On my mind: thesis revisions, piano lessons, i need to grade essays, thesis revisions, beethoven sonatas, basketball (go Heels!), i need to do laundry, and going home to NC this weekend(!!).

Or, to put all that musically via youtube...





Sunday, April 5, 2009

Andras says (quote of the day)...

This whole article (mentioned in post below) really is a good read. Make sure to click on the audio clips on the left side of the page to hear Schiff on several topics (they are short excerpts...just a couple minutes each). This quote is from "I Don't Like the Piano:"

"I don't play the piano because I like the instrument so much. I don't. Because, there are instruments I much prefer...the cello is the first one that comes to mind. I play the piano because it has the most wonderful repertoire. I wouldn't give it up for anything...."

Mr. Schiff, I couldn't agree more.

From Beethoven to curly fries and back to Beethoven...

Last night I attended a concert at my alma mater billed as a "Distinguished Artist Concert" featuring Guest Pianist in Residence, Jerome Rose, performing works by Beethoven, Schumman, and Liszt.

Quit honestly, it was terrible. "Uninspired" is probably the best adjective to describe the performance. I know that the hall in which he performed (not to mention the piano on which he performed) is not ideal. I've played recitals in that hall and on that piano and know it is a challenge. However, I've also seen many, many recitals on said piano and in said room that were truly inspired and inspiring. Mr. Rose seemed bored and in a hurry to get through the performance - such a hurry, in fact, that he missed notes, rushed passages, and lacked dynamic sensibility. It was shockingly disappointing. In the program notes it mentioned that Mr. Rose has written a 4 volume book titled, "Becoming a Virtuoso." I do wonder how he found the time to both become a virtuoso and write four volumes on how to do so! Maybe he is too tired after all that virtuosic becoming and prolific bestowing of knowledge on virtuosic becoming, that he forgot how to play Beethoven's Op. 31 No. 3 virtuosically...

After the concert, my friend and I looked at each other and said simultaneously, "I need a drink." And so we drank...and then drank a little more...and then a tad more... Which led to me taking this photo on my phone at 2:28am (and to promptly devouring half a large order of curly fries and chicken tenders):

This morning I woke up a little pissed at Jerome Rose for directly causing me to get so drunk that I consumed precisely 8,672 calories and 9 million grams of fat (as well as 290 lbs. of grease) at 2:28am.

Goddamn him and his bad Beethoven.

But then I turned on my computer to find this article and this free recording of Andras Schiff's performance of Beethoven's final three sonatas live at Disney Hall in L.A. And there it was - Beethoven a la inspiration, passion, accuracy, a lovely piano, a grand hall, and dynamic sensibility on top of that!

And now I am going to eat a salad at an organic restaurant.

Thank you, Andras Schiff, for redeeming Beethoven, my weekend, my appetite, and pianistic virtuosity all at once. Well done.

P.S.
My favorite quote from the NPR article about Schiff's performance of all 32 Beethoven sonatas over the last two years is: "[Schiff has] gone through serious obsessions with Schubert, Schumann, Haydn, and Bartok, as well as major bouts of Bach and Mozart..." Which begs the question, what does cure a "major bout of Bach and Mozart?" Curly fries, perhaps?